Idle Hands

I feel like I haven’t been gaming for a while, at least I certainly haven’t been writing about gaming for a while. Truth be told, much of my evening is spent trying to score just those few extra minutes of sleep that you miss when being the Dad of a teething six-month old.

This then, of course, opens up a new gaming repertoire. The late-night, bleary eyed game, one that it’s OK to fall asleep in, and still not loose a lot of story or substance. I’ve said it before, and I’ll say it again: I love idle clickers. My clicker-of-choice is, and remains, Idle Champions of the Forgotten Realms.

While it took me quite a while to work out how to play an idle clicker, something beyond the simple click-and-upgrade methodology, and learning about resets and the benefits that it entails has made the game far more strategic than I first envisioned. This means that I’m now paying more attention to things like individual hero DPS and things like race-relations, that is, which races have better buffs when aligned with others. Understanding these in a little more detail is more helpful than simply trying to leverage a guide that doesn’t take into account which quests you’ve completed and what your current buffs are, or what equipment you are using. It doesn’t take into account what point in the game you’re ‘stepping in’ on (there are a number of formation guides that have heroes in it that I either haven’t unlocked, or it assumes that I’m able to unlock them easily).

However, the thing that annoys me the most is the lack of cross-save. Right now, I have instances of Idle Champions across PC, Xbox and Mobile – all of which have varying DLC purchased and different levels of progress. Not being able to have a single source of truth is just outright annoying, and while I can appreciate the commercial benefit of allowing one to ‘double dip’ on players across platforms, it instead, to me, makes more sense to utilise the Destiny 2 and Bungie model, in which specific equipment or familiars, etc. couldn’t be used on a particular platform unless purchased on that platform. It’s not rocket science, it’s just good player-friendly practice, and it absolutely frustrates me when I can’t see it implemented any-and-everywhere.

That, plus the developers get to double-dip. I am certain that the CFOs of almost any major game publisher would salivate at the thought.

History tells me that this teething journey can go on for quite a while, and so while the rest of the world is twirling lightsabers with Jedi: Fallen Order, or flossing in Fortnite, I’ll be chipping away at my Torm’s Favour balance …

… or sleeping while my Xbox does it for me.

Gears POP! Level 6

I wanted to revisit my first take on Gears POP! given the rather harsh assessment offered by Kotaku, and my own worry that I may be a little too optimistic about what others saw as a mediocre game.

But, nope. I’m still enjoying it – and Kotaku is wrong.

At first glance, reaching Level 6 probably isn’t quite at the top of the enlightenment period to be able to safely dismiss Kotaku’s rather short-sighted take on the game, but there’s quite a bit of work that goes into getting to this level. I don’t doubt that the gloss of many casual gamers has started to wear off for Gears POP!, and so the competition I’m left with are either the true believers, or the late-to-the-party types, but having understood how many games and how many win-losses it takes to get to that stage means that there is a not-insignificant amount of respect for anyone competing at what I’d consider this ‘mid-tier’ level.

In fact, I think it’s fair to say that I am regularly loosing quite a few games – it’s about a 50-50 split, but the shine hasn’t quite worn off as quick like it has with Hearthstone. Perhaps it’s because I still get the drip-feed of delicious Xbox achievements, or perhaps I’m still just simply enjoying the game. In either case – from either a philosophical or a business perspective – I’m still playing it, and that means something.

I’ll be interested to see if other first party studios lean into some mobile development for Microsoft, or whether xCloud will pickup the mobile audience – but in any case, it’s definitely not a flop for me.

Gears POP!

I am a sucker for a mobile game with Xbox achievements. It’s one of the main reasons why I play Microsoft Solitaire so much, and I have no qualms in touting the virtues of Wordament to any-and-all who will listen. Sadly, people don’t really take to my warped sense of digital justice like I do, and so they just end up heading back to their match-three game or scrolling through their Instagram.

Not me though. I think it took me all of fifteen seconds from when I got the notification that the pre-order for Gears POP! was ready to having the game downloaded and starting it up.

Then the connectivity issues happened.

I’m not going to labour the point because I don’t mind a few teething errors, and thankfully they corrected themselves fairly soon thereafter, which meant that after an hour of gameplay, I had already earned myself two or three achievements, and by the end of the day yesterday, I was at 9% completion.

Not bad for a very brief afternoon’s work.

The game itself is essentially just a Clash of Clans clone, though with POP! characters based on the Gears of War franchise. It just seems like a whole bunch of licensing agreements were prepared by some junior lawyers that got too convoluted and something had to be done with them, but, strangely, it works. Considering I’m really only on level two and working with characters that are, essentially, just upgraded versions of the starting set, I’m not sure how much the game will open up as I get new characters, or, more likely, I go up against stronger opponents.

Progress from here-on out will be slow, because some of the achievements require you to play into the hundreds of games, which is not insurmountable, but it will take time. Each game I played against a human tended to run down the timer, rather than being the one-sided battle that I had anticipated, with some of the games only conquering one base, or going to sudden death. If you can get some time away from the world so that you can play this unencumbered, then you are absolutely in the best position to win, though I’ll see whether that holds true as I continue playing, or whether my own inability is just waiting to shine through.

In the meantime, I’ll just keep working towards those delicious, delicious achievements.

Horse Haven World Adventures

If I’m perfectly honest, it was the Ubisoft name that convinced me to give Horse Haven a go, though I never would have normally picked this game out of a line-up.

At its most basic, it’s the same as any other world building game – upgrade here, farm this, nurture that. The hook here is, essentially, horses, which might appeal to my sixteen year old horse-loving niece, but for a thirty something bloke with a love for everything indoors? Not so much.

On it own, that isn’t enough for me to discredit Horse Haven because it operates as advertised. I don’t know how long the game has been around, but it’s operating in a market that is saturated with similar games, though, like the pull which originally roped me in, it’s the Ubisoft name which offers perhaps the greatest confident that the game will be supported longer-term.

Is it worth a go? Sure. If you are interested in the genre and want to see how the AAA developers do it, then this isn’t a bad one to pick up. If you’re done with the genre though, don’t expect anything new or exciting here.

Except horses. Lots of horses.

Chessplode

Chess has had a bit of a resurgence in the gaming spheres lately. I’ve seen a lot of “Chess 960” variations floating around – and that in itself is bringing people back to the original game.

This, however, is something different again. The basics of this game are somewhat simple – catch a piece and it detonates every other piece in that row and column – except if the King is in the same row or column as the captured piece (and then it’s a regular capture). It’s probably an unnecessary addition to a crowded market but on the other hand, I appreciate it not just being ‘another chess game.’

I had a go at both the “vs Ziri” the the “levels” modes in the game, and both played pretty much like standard Chessbots. I wasn’t paying attention in the levels at first and didn’t realise it was a Chess 960 startup, so it took me some time to claw my way back to victory but considering it was Level 1, I suspect the Chessbot was more sympathetic than normal.

Polysphere

There is almost a beauty to the simplicity of Polysphere, and yet its increasing levels of complexity mean that this is not your average game. It truly is ‘art’ in a digital form.

The premise is simple, you are given a fractured shape or picture, and you rotate it in three dimensions to reform the image. At first the images invoke larger chunks of colour which help bring everything into focus much quicker, but, as you’d suspect, there are more colours, more fragmentation, and just generally more complexity as the game goes on.

I played about the first dozen levels, but once again, Polysphere is another game that is almost aggressive in its attempt to force you into a paid service, or swallow as many ads as they can force down your throat in between levels. It’s incredibly off-putting, but I appreciate the need to monetise in a complicated market with very few business models from which to apply.

But that’s not my problem. I just want to play great games.

If gaming has taught us anything in the past year, it’s that a subscription based service is absolutely the way to go. Xbox’s Game Pass has opened up a world of great independent games and titles that likely would have remained obscure and niche without being attached to the pass, and now they are brought front-and-centre. With this in mind, I think Apple Arcade probably stands the best chance of discovering some great mobile titles, but we’ll wait and see the details before lauding over it too much (but it seems like it’s definitely a step in the right direction).

Crossy Road

If you wanted to find a game that embodies what it means to see poultry-in-motion (get it?) then Crossy Road is for you. I mean, sure, it doesn’t hurt if you have the hendurance to be able to stand the journey from one side of the map to the other – this isn’t any old pecknic.

Anyone who played Frogger back in the day will instantly feel familiar with the premise. And even if you’re not, you quickly learn that the point is to keep moving forward, preferably not in the path of traffic.

The other thing I like about this game is it’s by an Australian developer, Hipster Whale. I know Giselle Rosman from the studio does a heap of work locally to make sure that the Australian scene punches well above its weight, and it shows here. I think that Crossy Road was a good early game to showcase what Australia was capable of, and the continued growth of the industry, despite a few recent, very public collapses, there’s still a lot of heart here in our little corner of the planet.